Delusion

Can delusion be conceptualized as an embedded mind state in the individual before the grammatical form of the word, "delusional" existed?

Or when the mid-night Hour is told,
And drooping Lids thou still do'st waking hold,
Thy fond Delusions cheat the Eyes;
Before 'em antic Spectres dance,
 -Pg 23 Anne Finch

We have here a different kind of misinterpretation of the insane, something equally madness as defined by a multitude, but a multitude in ones, ending though, with the same old confirmation of a half-truth. Maria and Yorick walk in together, each supporting the other's delusion.
-Pg. 104 Madness of the Multitude

    A common theme with delusion in the 18th century is it's association with the sensory. It is often conceptualized as being separate from the sensory, however having a downstream effect on it. We also notice when delusion exists separate from the individual. The poem by Finch supports this commonality. "Thy fond Delusions" implies that the individual is in possession of them, rather them being a mind state embedded in the person. Possession of a mind state denotes separation because to possess something, there must be a boundary between the individual and the mind state. I am running into a difficulty with this concept in my paper, while curiosity is described as if embedded in the individual (ie. she is curious); the word that would describe an embedded delusion is "delusional" (as in she is delusional) however the OED doesn't site this word as being used until 1871. The thesis of my final paper rests on the crux that mind states can be framed as embedded and separate from the individual. In curiosity, the grammatical form of the word suggested it's embedded or separateness. I wonder, if I could use the grammatical style used when it is addressed to indicate a state of embedded or separateness.
     The description of delusion follows a description of dreams. Dreams we know, occur in the mind, separate from the senses. There is a contrast between the delusion and dream in the poem because of the word "Or"; however it is not the realm of functioning that seems to be contrasted, but rather the state of consciousness. In dreams, the individual is intruded by shadows during sleep, however during delusion this occurs when "thou still do'st waking hold". "Thy fond Delusions cheat the Eyes" implies that delusions are separate from the eyes, the sensory component, because they are able to perform an action on them, cheat them. Delusion is being framed as separate from the individual and from the sensory.

Final Paper Skeleton

Final Paper Skeleton

Thesis-ish: Contrasting the processes of curiosity and delusion when framed as separate vs. embedded in the subject in the 18th century literature.

Curiosity
-functions within the realm of sensorial:
       -came from an object
       -often associated with senses
-something from the 2ndary readings
-mind states which function within the sensorial will fade with time unless the stimulus changes, curiosity perpetuates itself because of the bi-directionality of the changes between the subject and curiosity
-analogously repeated sensory stimulation causes desensitization of receptor (separate function)
-In Fantomina: processes of curiosity were framed by grammatically separating or embedding the subject and curiosity
-quote from Fantomina about Passion changing the object.

Curiosity as Separate
(ex. her curiosity, a curiosity in her)
-curiosity doesn't change the individual, individual does not change curiosity
-elicits reflexive actions
-intensity of mind state fades over time
-Bauplasir
-Fantomina at first

Curiosity as Embedded
(ex. curious woman)
-curiosity changes individual, individual changes curiosity (bidirectional effect)
-elicits reflective actions
-high intensity of mind state maintained
-Fantomina in the end

Delusion
-DEFINE: a strongly held belief that results in perceptions skewed significantly from those experienced by the majority.
-functions within the realm of ideas:
     -separation between reason and senses in 18th cent. lit
-something from ECCO
-repeated stimulus from mind states that function within the realm of ideas will strengthen idea
-analogous to neuronal networks in brain, learning strengthened by repeated stimuli
-In Female Quixote: processes of delusion were framed by functionally separating or embedding the actions of the subject and the idea/mind state

Delusion as Separate: (frame Arabella's actions as separate from actions of delusion)
-idea changes the individual, individual changes the idea (bidirectional effect)
-elicits reflective actions
-intensity of mind state/idea diminishes
-Arabella after/during cure

Delusion as Embedded: (frame Arabella's actions as equal to the actions of the delusion)
-idea does not change individual, individual does not change idea
-elicits reflexive actions
-intensity of mind state/idea maintained
-Arabella before cure


Conclusion: Despite these two mind states vastly contrasting realms and processes, when framed as  embedded in the subject- they both take on a highly negative force.
    

Wollstonecraft & Montagu

Not even Youth and Beauty can controul
The universal Rancour of thy Soul;
Charms that might soften Superstition's Rage,
Might humble Pride, or thaw the Ice of Age.
-pg. 190 Verses Address'd to the Imitator of Horace

Besides, the reading of novels makes women, and particularly ladies of fashion, very fond of using strong expressions and superlatives in conversation; and, through the dissipated artificial life which they lead prevents their cherishing of any strong legitimate passion, the language of passion in affected tones slips forever from their glib tongues, and every trifle produces those phosphoric bursts which only mimic in the dark the flame of passion.
-pg 275 A Vintication of the Rights of Woman

Tristram Shandy and Spacks

Is the post-modern transition Spacks notes in the use of the word "boring", wherein it becomes a description of an object rather than a subject, observable in other mind states as well?


She is a dreadfully boring woman... The notion that boredom inheres in the consciousness of its experiencer appears to have vanished. Now to call something boring describes an object rather than a subject....A new form of moralizing directs opprobrium toward the cause rather than the victim of boredom.
-Boredom Pg. 22


"Let CONSCIENCE determine the matter upon these reports;--- and then if the heart condemns thee not, which is the case the Apostle supposes,---the rule will be infallible"
[Here Dr. Slop fell asleep]
-Tristram Shandy Pg. 109


Spacks describes a change in the use of the use of the word "boring" that I found similar to changes in the usages of the words "psychosis", "curiosity", "delusion" throughout the semester. She describes them differently; however I think in essence we may be describing the same thing. My papers described a transisiton where psychosis went from being a description of what I call a "process" (where the person is separate from psychosis) to a "mind state" (where the person is indiscernable from the psychosis). We see a change, a person no longer has a psychosis, they are psychotic. Spacks shows an post-modern example where a woman IS bording, opposed to the previous uses of the word we saw in Rambler and Idler where an individual were talking about their experience of being bored. When she states that the word becomes a description of an object rather than a subject, I believe she means in the philosophical sense, rather than the grammatical sense. I explored further the ideas of subject and objects in philosophy; objects are thought of as "entities" and subjects are "observers". In the first post-modern use boring is an intrinsic property of the entity, however in the latter use boring is something the subject observes. When I was describing psychosis as "process" I was specifically noting the distinction separation between the person and the phenomena, in this example the mind state is also describing a subject. When I describe psychosis as a "mind state", I meant to denote the inseparability of the person from the mind state (ex. they ARE psychotic), in this example psychosis is describing an object (one that is intrinsically psychotic). Spacks goes on to describe some of the troubling implications of this switch, when "boring" comes to describe a object rather than a subject; I have seen parallels of this manifestation when many other mind states (specifically psychosis, delusion, and curiosity) are used to describe objects rather than subjects. I wonder if also her criteria concerning the reasons for this change would be explain the factors leading to similar transitions in other mind states.
In the quote from Tristram Shandy, we would have to project the idea that Dr. Slop being bored was the result of his sleep because it isn't expressly said; however if we take that assumption, we see boredom functioning similarly to descriptions in Ramblr and Idler where it is describing a subject, or an external thing that performs a function on the subject.

Draft Paper #2

Organizing principals are used to contextualize and understand experiences. The products of an organizing principal include, but are not limited to, our perception of character traits, passions and emotions. The products of an organizing principal can not be used to undermine it because they are dependent and inextricable from the organizing principal; often they functioning to validate it because the experiences are organizing according to the same ideas and thus agree thematically across perceptions. However, the foundations of an organizing principal are ideas. In Charlotte Lennox’s novel, The Female Quixote, Arabella uses ideas from antique romance novels as the foundation for her organizing principals. The doctor’s “cure” is successful because it acknowledges the products of Arabella’s organizing principals as existing separately and functioning differently in her from the organizing principal and ideas which are its foundations. The doctor identifies Arabella’s organizing principal as existing separately from her by personifying it as a subject capable of actions and feelings. The doctor acknowledges a difference between the functions of the products and foundation of her organizing principal because he engages them differently; validating and avoiding challenging the products, carefully monitoring her emotions to retract or redirect the intentions of his words when she perceives these to be in question, while still framing the debate to challenging the foundation, her ideas.

1. Attempts first to understand and validate Arabella's emotions
2. Specifically addresses Arabella's as having "Imaginings"
3. Does not proceeds to engage in challenging her when
     -intrinsic values of morality (virtue, judgement) become subject of question (374)
     -passions or desire become subject of question (370)
4. Backtracks/Retracts/becomes submissive
     -when she perceives judgement of her passions
     -when she perceives judgement of her
5. Specifically frames question to address causal relation between actions or "reason".
6. Contrast with Mr. Glansville: eventually commits to organizing principal because unable to separate emotions from causal relation between actions
7. Contrast with Mrs. Glansville: doesn't succumb to organizing principal but unwilling to mindfully navigate Arabella's emotions to refocus questions on causal relation between actions.

Conclusion: Passions/emotions/morality function in a realm separate from reason, though they are effected by it and thought/ideas can be manipulated separately.

Tristram Shandy and Jonathan Swift

How is our attention maintained by movement and misfortune?

My Tristram's misfortunes came nine months before ever he came into the world.
-Laurence Sterne Pg. 11 (Chp. 3)

Sweepings from Butchers Stalls, Dung, Guts and Blood,
Drown'd Puppies, stinking Sprats, all drench'd in Mud,
Dead Cats and Turnep- Tops come tumbling down the
Flood.
-Jonathan Swift, A Description of a City Shower

It both pieces, A Description of a City Shower and Tristram Shandy, the author continuously moves us from one misfortune/horror to another. Swift not only uses strong verbs (ie. drench'd, tumbling), but also words that are the noun (ie. sweepings) or adjective (drown'd) forms of verbs to sustain a sense of movement throughout the piece. This movement is not random, it takes us from one visceral image to another, the butcher stalls, the guts and blood. Somehow, these two things together function very well to sustain our attention, or at least mine. I see a similar pattern in Tristram Shandy, while perhaps not as horrifying (yet). In this story, we are continuously transported forward and backward in time. The story's progress is not chronological, but rather motivated by movement from one misfortunes to another. This concept draws to mind a neuroscience concept. The tectal system in the brain functions to draw our attention to movements of visual stimuli, there are structures called the superior colliculus mediate this function. Perhaps the method of attention focusing used by these authors draws it's ability from the connection between movement and attention present in other sensory systems.

Johnson and Lennox

Is Johnson's description of the effect reading novels produces in the individual similar to the function of monomania or delusion? Is this interpretation of Johnson's quote supported in The Female Quixote?

But if the power of example is so great, as to take possession of the memory by a kind of violence, and produce effects almost without the intervention of the will, care ought to be taken that, when the choice is unrestrained, the best examples only should be exhibited; and that which is likely to operate so strongly, should not be mischievous or uncertain in its effects.
-Johnson

...her imagination, always prepossessed with the same fantastic Ideas, made her stumble upon another Mistake, equally absurd and ridiculous.
-Lennox Pg. 21

     The Oxford English Dictionary contains two distinct descriptions of monomania: a form of mental illness characterized by a single pattern of repetitive and intrusive thoughts or actions and an exaggerated or fanatical enthusiasm for or devotion to one subject; an obsession, craze. The first description matches closely with our clinical description of obsession whereas the latter is more aligned to our colloquial usage of the word obsession. Both clinical and colloquial obsession augment the affects of individuals. In clinical obsession, the individual experiences a great amount of anxiety, whereas in fanatical obsession the obsession has a myriad of positive effects on the affect of the individual. While the individual may be conscious of an obsession, they often have little control over the effect it elicits in them. They perceive the effects of the obsession as personal, and do not expect others to share their experience. The description of delusion in the OED states that it is anything that deceives the mind with a false impression; a deception; a fixed false opinion or belief with regard to objective things. Delusions augment the perceptions of the individual. Furthermore, by definition, the individual has neither control nor awareness of the effect the delusion. The perceptive lens caused by a delusion are not experienced as unique to themselves, rather they expect others to share their experience.
       Johnson's specific phrase, "as to take possession of the the memory by a kind of violence" suggests that the specific function of the novels on readers is some augmentation of their perception, rather than their affect. The phrase "prepossessed with the same fantastic Ideas" suggests also that it is Arabella's perceptions that are being augmented by her delusion. The interpretation of Johnson's quote to mean that reading functions somewhat similarly to delusion is supported by the selected quote from Lennox.